As far as "high concept" (show's premise can be described in 5 words or less) TV shows go, it could be gangbusters, for all I care, but if the dialogue's crap, it will not pique my interest any further.
I tried to give new shows a try, like Commander in Chief (Geena Davis as US President) and How I Met Your Mother (one season telling story of title), but I couldn't get past the shmaltzy dialogue of the former (West Wing this ain't) and the unfunny jokes of the latter (defeating the com purpose of sitcom).
As for other sitcoms, Everybody Hates Chris (The Wonder Years meets Chris Rock. Hey, I'm getting good with high concept descriptions...) is faring better for me than My Name is Earl (Karma Komedy starring Jason Lee). Seems nowadays new sticoms have a better chance of becoming a hit (either with the audience or with critics) when there's a narrator and flashbacks involved. Malcolm in the Middle, Arrested Development, Chris and Earl, among others. Is it because the audience is too slow to catch up that the shows need to explain things constantly, or is it a device to stick in more jokes? Bit of both, I think.
As for new dramas, only Threshold (Anti-alien invasion task force) and Reunion (murder mystery. 1 episode=1 year) have me reeled in, curiosity-wise. Everything else is cops, cops, cops (all CSIs and Law & Orders) and Desperate Housewives. I wanna check out Ghost Whisperer (Sixth Sense meets Jennifer Love Hewitt), but I'm afraid I'd only watch it for the same reason I first watched Charmed. Sorry, but Alyssa Milano or no Alyssa Milano, rhyming spell incantation is corny, as well as saying demon or warlock in every third sentence of dialogue.
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